The Custom 24 is the quintessential PRS guitar. This iconic instrument was the first model that Paul Reed Smith brought to the public at PRS Guitars’ first Winter NAMM show in 1985 and has been a top seller ever since. Played by internationally touring artists, gigging musicians, and aspiring players, the Custom 24 features PRS’s patented Gen III tremolo system and PRS 85/15 pickups with volume and tone controls and a 5-way blade switch. 85/15 pickups were personally designed by Paul Reed Smith to offer remarkable clarity and extended high and low end.
The Custom 24 is the original PRS. Since its introduction, it has offered a unique tonal option for serious players and defined PRS tone and playability.
Meticulous design delivering sonic fidelity, player ergonomics, and revolutionary tuning stability.
Modern locking technology with vintage elegance, these tuners promote tone transfer for a louder, more resonant instrument.
Uncovered pickups with remarkable clarity and extended high and low end, perfect for more modern applications.
| BODY | |
|---|---|
| Body Construction | Solidbody |
| Top Wood | Maple |
| Back Wood | Mahogany |
| Top Carve | Violin |
| NECK | |
|---|---|
| Number of Frets | 24 |
| Scale Length | 25" |
| Neck Wood | Mahogany |
| Neck Construction | One-Piece |
| Truss Rod | PRS Double-Acting |
| Neck Shape | Pattern Thin |
| Neck Depth At The Nut | 53/64" |
| Width Of Fretboard At The Nut | 1 11/16" |
| Width Of Fretboard At The Body | 2 1/4" |
| Fretboard Wood | Rosewood |
| Fretboard Radius | 10" |
| Fretboard Inlay | Birds |
| Headstock Logo | Signature, Inlaid |
| NECK/BODY ASSEMBLY | |
|---|---|
| Neck/Body Assembly Type | Set |
| HARDWARE | |
|---|---|
| Bridge | PRS Patented Tremolo, Gen III |
| Tuners | PRS Phase III Locking |
| Hardware Type | Nickel |
| Nut | PRS |
| Truss Rod Cover | "Custom" |
| ELECTRONICS | |
|---|---|
| Treble Pickup | 85/15 |
| Bass Pickup | 85/15 |
| Controls | Volume and Tone Control with 5-Way Blade Pickup Switch |
| ADDITIONAL INFO | |
|---|---|
| Strings | PRS Signature 10-46 |
| Tuning | Standard (6 String): E, A, D, G, B, E |
| Case | Hardshell Case |
| Options | 10 Top with Hybrid Hardware |
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The Pattern neck is a medium-sized neck with a comfortable, round shape. It has a thickness of around 28mm at the 1st fret and 30mm at the 12th fret. The shoulders of the neck are slightly asymmetrical, with the bass side being slightly larger than the treble side. This gives the neck a comfortable, natural feel. The Pattern Thin neck, on the other hand, is a slimmer, more modern neck with a flatter shape. It has a thickness of around 26mm at the 1st fret and 28mm at the 12th fret, making it easier to play fast. The shoulders of the neck are more symmetrical than the Pattern neck, giving it a more streamlined, modern look. Overall, the Pattern neck is ideal for players who prefer a more traditional, comfortable neck shape, while the Pattern Thin neck is better suited for players who prioritize speed and ease of playing. Personal preference plays a big role in choosing between these neck profiles, and players should try both to determine which feels best for them. |
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The term "10 Top" refers to a grade of maple used on the top of certain Paul Reed Smith (PRS) guitars. This grade of maple is characterized by a visually stunning, symmetrical wood grain pattern with no "blemishes" or "defects", and is considered to be of the highest quality. There are a number of benefits to having a 10 Top on a PRS guitar. Firstly, the high-quality maple used on the top of the guitar not only looks beautiful, but can also contribute to a brighter, more resonant tone. The use of a 10 Top maple top can also increase the sustain of the guitar, allowing notes to ring out longer. |
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