{"title":"JHS Pedals","description":"\u003cp\u003eJHS Pedals are handmade guitar effects built in Kansas City, USA. Founded in 2007, JHS offers a wide range of overdrives, fuzz, modulation, reverb, delay, and more. Known for blending vintage tone with modern versatility, every pedal is crafted with exceptional quality and attention to detail.\u003c\/p\u003e","products":[{"product_id":"jhs-muffuletta-distortion-fuzz-pedal","title":"Muffuletta Distortion \/ Fuzz Pedal - NEW Army Green","description":"\u003ch1\u003eJHS Muffuletta Distortion \/ Fuzz Pedal\u003c\/h1\u003e\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003emuffuletta\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003edistortion \/ fuzz\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eFive tones inspired by these classic Big Muffs: \u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- JHS - \"2015\"\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- ‘73 Rams Head - “1973-1977 V2”\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- The Triangle - “1969-1970 V1”\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- The Pi - “1977-1978 V3”\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cem\u003eFamous users: \u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- The Russian - \"1999-2009 V8”\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e- The Civil War - “1991-1993 V7”\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty,\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48262903791771,"sku":"JHS-JHS-MUFFULETTA","price":319.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs_pedals_muffuletta_green_2nd.png?v=1778008901"},{"product_id":"jhs-moonshine-v2-overdrive-pedal","title":"Moonshine V2 Overdrive Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eMoonshine v2\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eoverdrive\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eCLEAN BLEND\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any  amount of clean signal to your tone! \u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003econtrols\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.  In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.  The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eCHARGE PUMP \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converts it internally to 18v for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge“wall of rock” The Edge-style force through a Vox.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eDUMBLE-ESQUE \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 30mA, and measures 2.2\"x4.8\"x1.6\"\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48262966902939,"sku":"JHS-JHS-MOONSHINEV2","price":256.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Moonshine.png_2nd.png?v=1778008893"},{"product_id":"jhs-pedals-3-series-flanger-pedal","title":"3 Series Flanger Pedal","description":"\u003ch3\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\r\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"483\" src=\"https:\/\/www.youtube.com\/embed\/08uisrouui4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48262973456539,"sku":"JHS-JHS-3FLANGER","price":148.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-3-serires-flanger-front_2nd.png?v=1778008934"},{"product_id":"jhs-crayon-preamp-distortion-fuzz-pedal","title":"Crayon Preamp \/ Distortion \/ Fuzz Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eCRAYON\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003epreamp \/ distortion \/ fuzz \u003c\/h2\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eLittle brother to the Colour Box\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Pedals Colour Box began with a simple idea: create a pedal that sounds like plugging directly into a vintage preamp and cranking it. No amp, no speaker, just DI goodness. Well, the Colour Box became much more as we got into designing it. Thus we decided it was time to pare it down and give guitar players and bass players a simplified version that gives you the distinct compressed overdrive and fuzz sounds you've heard on so many classic recordings. The Crayon is just that, a powerful little box that has all the color and characteristics of a vintage studio preamp when cranked.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eControls \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Crayon has controls for Master, Pre-Vol, Tilt, and a Hi-Pass toggle. The Master volume controls the overall volume of the unit, while the Pre-Vol acts as a gain control to go from a gritty preamp drive to over-the-top gated fuzz. These controls work together to create a ton of colorful tones that are extremely useful. The Tilt control is an active EQ where when set at 12 o'clock you have a flat EQ, while turning clockwise boosts highs and cuts bass, and turning counterclockwise boosts bass and cuts highs. This gives the Crayon the ability to be tailored to any rig for bass or guitar. The Hi-Pass toggle cuts your low end with a flick of the switch for the ability to cut through the mix or get lo-fi sounds. There is a dip switch on the right side of the pedal to choose either 200Hz or 750Hz cut for the Hi-Pass.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eFeatures \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Preamp DI tones from low gain grit to gated fuzz. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Active EQ for the perfect tones on bass or guitar.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Hi-Pass for lo-fi AM radio sounds.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Paint with all the colors of the wind.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Pedals Crayon is without a doubt the brightest crayon in the box that will give your tone all the color you need!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 15mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48262981812379,"sku":"JHS-JHS-CRAYON","price":256.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Crayon.png_2nd.png?v=1778008838"},{"product_id":"jhs-plugin-1967-boss-tone-replica-fuzz-pedal-lof-lpn","title":"Legends of Fuzz Series Plugin 1969 Boss Tone Replica Pedal","description":"\u003cp\u003eAt JHS, fuzz pedals have been in the lineup for over a decade. They have designed original circuits, replicated classics, and have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is their tribute to the most important fuzz circuits ever made. It is their way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60s London scene to the 1990s ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003eIn the mid-’60s, the world’s first nuclear company, Victoreen Instruments, launched Jordan Electronics. They started out manufacturing transistorized guitar amps and debuted the first commercially successful U.S. based plug-in effect at the 1966 NAMM Show, the Boss Tone, though it didn’t hit the market until 1967. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone (a true testament to the ingenuity of Jordan Electronics’ owner, George Cole, and head engineer, Bob Garcia). The original unit is a small 1¾ by 2¼ inch molded plastic box that plugs directly into the guitar’s output jack. Unfortunately,  plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so we’ve created a floor-based pedal that features the same unique tone.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eThis pedal requires 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003eTHE plugin DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48263294386331,"sku":"JHS-JHS-PLUGIN","price":251.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/plugin.png?v=1778009021"},{"product_id":"jhs-pedals-3-series-hall-reverb-pedal","title":"3 Series Hall Reverb Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\r\n\u003ch3\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/h3\u003e\r\n\u003cp\u003e\u003ciframe style=\"width: 290px; height: 467px;\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ebSW488cSDU\" width=\"290\" height=\"467\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48263548993691,"sku":"JHS-JHS-3HALLREV","price":148.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/hall_reverb_1.jpg?v=1778008945"},{"product_id":"jhs-switchback-switching-utility-pedal","title":"Switchback Switching Utility Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eSwitchback \u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eswitching utility\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e1. An A\/B True Bypass Looper\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e2. A Simple True Bypass Looper\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cbr\u003e Place your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e3. An A\/B Box\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cbr\u003e Simply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e4. An Amp Input Switcher\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cbr\u003e Use Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e5. An Effects Loop A\/B\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e\u003cbr\u003e Plug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1” Red Remote accessible!!!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48263557447835,"sku":"JHS-JHS-SWITCHBACK","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/JHS_Pedals_Switchback_left_side.png_2nd.png?v=1778009054"},{"product_id":"jhs-little-black-buffer-utility-pedal","title":"Little Black Buffer Utility Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003elittle black buffer\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eUtility\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThough it's a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you'll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You'll wonder how you went so long without one.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eKeeps your tone clear, powerful, and pristine\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIf you're as pedal happy as we are at JHS, you're going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar's tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Converts your guitar's hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e - Retains the original tone of your guitar without tone loss from other gear in your signal chain\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eConvenient low-profile design\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAn active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That's why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e - Can easily be mounted underneath your board\u003cbr\u003e - Built rugged\u003cbr\u003e - Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 19mA, and measures 3.6\"x1.5\"x1\"\u003c\/h3\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThe LITTLE BLACK BUFFER is designed to work with input signals that are below 10V input gain. Anything above 10V INPUT GAIN will cause the unit to clip. Not recommended for use with bass guitars.\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48263612563611,"sku":"JHS-JHS-LITTLEBLACKBUFFER","price":121.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Little_Black_Buffer.png_2nd.png?v=1778008873"},{"product_id":"jhs-pedals-3-series-compressor-pedal","title":"3 Series Compressor Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"238\" src=\"https:\/\/www.youtube.com\/embed\/hdJ0ezgQuxU\" width=\"424\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48264330215579,"sku":"JHS-JHS-3COMP","price":148.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/compressor_1_2nd.png?v=1778008919"},{"product_id":"jhs-pedals-3-series-overdrive-pedal","title":"3 Series Overdrive Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"238\" src=\"https:\/\/www.youtube.com\/embed\/hdJ0ezgQuxU\" width=\"424\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48264852897947,"sku":"JHS-JHS-3OD","price":143.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/overdrive_2nd.png?v=1778008968"},{"product_id":"jhs-cheese-ball-distortion-fuzz-pedal","title":"Cheese Ball Distortion \/ Fuzz Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eCheese ball\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003edistortion \/ fuzz\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eLong ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is our faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections.  In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz\/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Cheese Ball is our homage to one of the most excellent fuzz\/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265429778587,"sku":"JHS-JHS-CHEESEBALL","price":230.4,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Cheese_Ball.png_2nd.png?v=1778008814"},{"product_id":"jhs-pedals-3-series-tape-delay-pedal","title":"3 Series Tape Delay Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear \u0026amp; tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire. \u003c\/p\u003e\r\n\u003cp\u003eCONTROLS\u003cbr\u003eMIX - Controls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal. \u003c\/p\u003e\r\n\u003cp\u003eTAPE SPEED - Controls the length of delay effect. Left is shorter. Right is longer. \u003c\/p\u003e\r\n\u003cp\u003eREPEATS - Controls how many repeats occur after you play. Left is less. Right is more. \u003c\/p\u003e\r\n\u003cp\u003eFLUTTER - Switch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear. \u003c\/p\u003e\r\n\u003cp\u003eJACKS\u003cbr\u003eINPUT - ¼” jack on the right side of the pedal. \u003c\/p\u003e\r\n\u003cp\u003eOUTPUT - ¼” jack on the left side of the pedal.\u003c\/p\u003e\r\n\u003cp\u003ePOWER - Requires 9VDC negative center power and consumes 65mA. Not not use more than 9VDC. You will void your warranty.\u003c\/p\u003e\r\n\u003cp\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265525297307,"sku":"JHS-JHS-3TAPEDELAY","price":143.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-3_series-tape-delay-front.png?v=1778008994"},{"product_id":"jhs-crimson-1992-mike-matthews-red-army-overdrive-replica-pedal","title":"Crimson 1992 Mike Matthews Red Army Overdrive Replica Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003ecrimson\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003e1992 Mike Matthews Red Army Overdrive Replica\u003c\/h2\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003e5.68 X 3.62 x 2.0 Inches, 0.85 Lbs\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe \"Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAt JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The \"Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn 1969, Electro Harmonix released the first “Triangle” version of the legendary Big Muff distortion fuzz. All throughout the 1970’s we see various new revisions of this famous circuit like the V2 \"Rams Head” (1973), V3 “Pi” (1977), V4 “Op Amp” (1978), but in 1984 everything stopped. Electro Harmonix filed its second bankruptcy, closed its doors, and the mighty Big Muff disappeared for almost a decade. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn the early 90’s Mike Matthews noticed that his 1970’s Electro Harmonix pedals were selling for vintage\/rare prices. By 1991 he worked out a manufacturing agreement with an ex-soviet manufacturing company in St. Petersburg and brought the Big Muff back to life. This new version was technically the 7th version of the now famous Big Muff, but since Mike no longer owned his old trademarks, he labeled it the “Mike Matthews Red Army Overdrive” by Sovtek*. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThis is the very first Russian-made Big Muff ever produced and possibly the rarest of all time. Only manufactured in small numbers from 1991-1992, very few examples of this still exist, making this almost impossible to find. It shares characteristics with the famous Sovtek* “Civil War” (Late 1992) version, but it stands on its own. Warmer, clearer, and more defined than any of the Soviet Big Muffs that followed, the Red Army offers a unique flavor of a very familiar effect. The Crimson is an exact replica of my own Red Army Overdrive, allowing you to own a unique part of fuzz history.  \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe controls are Volume, Tone, and Distort. Volume sets the overall output level of the effect; turn it up and things get louder. Tone lets you sweep between bright and dark tones so that the Crimson works well with a range of different amplifiers and guitars. Distort is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” button that lets you access a never before heard “JHS Mode”. Push that button for a mid frequency boost that forces your sound through the mix. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIf you love the tones of the Smashing Pumpkins, Wilco, Sonic Youth, David Gilmour, White Stripes and Dinosaur Jr, then this is the pedal for you.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eUses 9V DC Negative Center. 4mA consumption. Do not use more than 9V DC,or your warranty will be voided. \u003c\/h3\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThe Crimson does allow for battery operation via a single 9V battery. Just loosen the two rear\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265557475483,"sku":"JHS-JHS-CRIMSON","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/crimson_2nd.png?v=1778008842"},{"product_id":"jhs-pedals-3-series-octave-reverb-pedal","title":"3 Series Octave Reverb Pedal","description":"\u003cp style=\"white-space: pre-wrap;\"\u003eCrafted with attention to detail and top-notch components, Musos Corner is excited for the release of the new JHS 3 Series Octave Reverb! Inspired by Brian Eno's \"Shimmer\" effect, popularized in U2's iconic album \"The Unforgettable Fire\" the 3 Series Octave Reverb allows guitarists to create atmospheric pads and textures with simplicity and versatility. With a toggle switch for upper and lower octave sounds, this pedal opens up a world of ambient possibilities at an accessible price point.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s \u003cem\u003eThe Unforgettable Fire \u003c\/em\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/p\u003e\r\n\u003ch3 style=\"white-space: pre-wrap;\"\u003eThe JHS Pedals 3 Series octave reverb runs on 9V DC Negative Center power and consumes 65 mA.\u003c\/h3\u003e\r\n\u003ciframe width=\"100%\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/gUqLaC1IyWE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265570255003,"sku":"JHS-JHS-3OCTREV","price":143.1,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-3_series-octave-reverb-front.png?v=1778008958"},{"product_id":"jhs-pedals-3-series-oil-can-delay-pedal","title":"3 Series Oil Can Delay Pedal","description":"\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp\u003eHow We Got the Oil Can Delay\u003cbr\u003eAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions – specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay. \u003c\/p\u003e\r\n\u003cp\u003eThese delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal “charge” was written and read through rubber wiper “heads.” The playback speed was directly related to the drum’s rotation speed. The oil acted as a protective layer to keep the audio signal “charge” electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: “Why settle for less with a Leslie when you can get more with Morley?” Morley manufactured oil can delays up until 1989. \u003c\/p\u003e\r\n\u003cp\u003eWhy Are We Making One?\u003cbr\u003eAt Wilco’s Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they’d ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn’t have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco’s Cruel Country and now their latest release, Cousin.\u003c\/p\u003e\r\n\u003cp\u003eThough the JHS Oil Can Delay isn’t a signature artist pedal, we’re still grateful to Nels Cline for inspiring it. We’re proud to offer you this unique pedal for your own collection. \u003c\/p\u003e\r\n\u003cp\u003eCONTROLS\u003cbr\u003eMIX\u003cbr\u003e- Controls the mix of echo and clean signal. Left is less, right is more.\u003c\/p\u003e\r\n\u003cp\u003eSPEED\u003cbr\u003e- Controls the length of the delay time from 100ms to 330ms. Left is shorter, right is longer. \u003c\/p\u003e\r\n\u003cp\u003eFEEDBACK\u003cbr\u003e- Controls the amount of feedback or repeats of the delay signal. Left is less, right is more. \u003c\/p\u003e\r\n\u003cp\u003e+\/- \u003cbr\u003e- The toggle allows you to switch between modulation intensities. In the down position, you have light movement, and in the up position, you have heavier movement. The modulation speed is associated with the delay time control (shorter is faster and longer is slower, reminiscent of the oil can warble in relation to the delay speed). \u003c\/p\u003e\r\n\u003cp\u003eJACKS\u003cbr\u003eINPUT\u003cbr\u003e- 1\/4” jack on the right side of the pedal.\u003c\/p\u003e\r\n\u003cp\u003eOUTPUT\u003cbr\u003e- 1\/4” jack on the left side of the pedal.\u003c\/p\u003e\r\n\u003cp\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265582706843,"sku":"JHS-JHS-3OILCAN","price":143.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-3_series-oil-can-delay.png?v=1778008963"},{"product_id":"jhs-pg-14-overdrive-distortion-paul-gilbert-signature-model-pedal","title":"PG-14 Overdrive \/ Distortion \/ Paul Gilbert Signature Model Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003epg-14\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eoverdrive \/ distortion \/ paul gilbert signature model\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eALL THE MIDS CONTROL!\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry.  This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 67mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265588801691,"sku":"JHS-JHS-PG-14","price":256.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-PG_Sig.png_2nd.png?v=1778009016"},{"product_id":"jhs-at-andy-timmons-signature-overdrive-pedal","title":"At+ Andy Timmons Signature Overdrive Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eAT+\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eAndy Timmons Signature Overdrive\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn 2016 we brought you the AT, Andy Timmons artist signature pedal and we're really proud to bring you the next iteration of this phenomenal stomp box, The AT+. \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eDoes the AT+ sound the same as the original AT? \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same.   They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTwo channels are better than one!   \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eNew to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal.  The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more.  Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 15 mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/h3\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eYou can safely run “The AT“ at 18 or 9 volts\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48265647423643,"sku":"JHS-JHS-AT+","price":297.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-AT_Red.png_2nd.png?v=1778008782"},{"product_id":"jhs-pedals-3-series-harmonic-trem-pedal","title":"3 Series Harmonic Trem Pedal","description":"\u003cp\u003eIntroducing the JHS 3 Series Harmonic Trem pedal, offering musicians an affordable and high-quality trem option! This pedal replicates Leo Fender's innovative Harmonic Tremolo effect, delivering dreamy tones reminiscent of the Uni-Vibe. With its simple controls and added versatility from the \"Type\" toggle switch, it's perfect for both beginners and professionals seeking new sounds.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\r\n\u003cp style=\"white-space: pre-wrap;\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.  The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.  Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\r\n\u003ch3 style=\"white-space: pre-wrap;\"\u003eThe JHS Pedals 3 Series Harmonic trem runs on 9V DC Negative Center power and consumes 65 mA.\u003c\/h3\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"100%\" height=\"415\" src=\"https:\/\/www.youtube.com\/embed\/gUqLaC1IyWE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48320946602139,"sku":"JHS-JHS-3HARMTREM","price":143.1,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-3_series-harmonic-trem-front.png?v=1778008952"},{"product_id":"jhs-morning-glory-clean-overdrive-pedal","title":"Morning Glory Clean Overdrive Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\r\n\u003ch4 dir=\"ltr\"\u003eWHEN TRANSPARENT OVERDRIVE ISN'T GOOD ENOUGH\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eWe took our most legendary overdrive to a new level and redefined what it means to be transparent. Clearer pick attack, improved low end, and more versatile gain stacking. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThis is the ultimate first-stage overdrive pedal. \u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eIT STARTED AT SOUND CHECK. \u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eI watched \u003ca href=\"https:\/\/www.julianlage.com\/\"\u003eJu­lian Lage\u003c\/a\u003e dial in his tone at a sound­check in Chica­go. Vin­ta­ge Fen­der amp. Collings semi-hol­low gui­tar. He ad­just­ed pickup heights, moved po­si­tions on stage, chas­ing the per­fect bal­ance. It was cap­ti­vat­ing. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eJu­lian has used a Morn­ing Glo­ry for years — he's a big rea­son it end­ed up on jazz ped­al­boards world­wide. Af­ter the sound­check, we dis­cussed what he looked for in an over­drive. One thing led to an­oth­er. My brain start­ed wan­der­ing off into dif­fer­ent ideas. Could we make the Morning Glory even better? \u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eTHE PROBLEM WITH TRANSPARENT.\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eWhen you add over­drive — any type of clip­ping — you lose nu­ance. Pick at­tack gets com­pressed. Dy­na­mics nar­row. All overdrives shape frequency response, even the most transparent.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eSo we tried some­thing no one's done: we took our Morn­ing Glo­ry (a Blues­breaker-style topol­o­gy) and com­plete­ly re­built it around a stu­dio-grade par­al­lel clean blend. Not just a mod­i­fi­ca­tion, a re­design from the ground up.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eOn pa­per, it seemed point­less — why blend a clean sig­nal into some­thing al­ready trans­par­ent? \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eHere's why. The Morn­ing Glo­ry's magic happens when you turn up the Drive, the circuit boosts higher harmonics and adds soft com­pres­sion. Jan­g­ly. Per­fect in a mix. The par­al­lel clean cir­cuit lets you keep all that while di­al­ing the nat­ur­al low end back in — all the tone, all the char­ac­ter. Noth­ing com­pro­mised.\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eTHIS ISN'T A CLEAN KNOB SLAPPED ON A MORNING GLORY. \u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eFor those won­der­ing — let's talk about what's ac­tu­al­ly hap­pen­ing in­side.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe Clean con­trol uses a dual-gang po­ten­tiome­ter. As you turn it, clean gain scales pro­por­tion­al­ly with the drive sig­nal — it’s per­fect­ly en­gi­neered from the ground up. Most clean blends are an af­terthought — a sim­ple mix knob tacked onto an ex­isting cir­cuit. This one was de­signed so the two sig­nals track to­geth­er across all gain settings. No vol­ume jumps. No weird phase is­sues. Just seam­less blend­ing from Morn­ing Glo­ry to pure sig­nal and every­thing in-be­tween. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe pow­er sec­tion runs on a ±9V dual sup­ply — the same topol­o­gy as our V4 — which gives you high­er head­room than the orig­i­nal V1 cir­cuit and any oth­er Bluesbreak­er-style ped­al out there. This is where most clones get it wrong. Think of it as the orig­i­nal Ver­sion 1 Morn­ing Glo­ry voic­ing with the V4 en­gi­neer­ing en­hance­ments. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe Tone con­trol af­fects only the over­drive path. Your clean sig­nal stays par­al­lel and un­touched. For the peo­ple who care about this stuff: this is the most thought-out and so­phis­ticat­ed Morn­ing Glo­ry we've ever built. \u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eENDLESS HEADROOM, ANY VOLUME.\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eEnd­less head­room. Those mas­sive clean gui­tar sounds that you love on record­ings — most were made at vol­umes that would get you evict­ed. The Morn­ing Glo­ry Clean gives you the stiff­ness and au­thor­i­ty of a high-wattage amp at the edge of breakup — with­out the earplugs. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThink of the Clean con­trol as adding back in wattage, clar­i­ty, and punch.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eIT GOES ON EVERYTHING.  \u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eStack a dis­tor­tion in front and the sus­tain opens up in­stead of clos­ing off. Run it af­ter de­lay for new territories of series\/parallel textures. First-stage over­drive? This is the best we've ever built. Pe­riod.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eIt breathes in front of amp mod­el­ers too. The over­drive and pres­ence of the classic Morn­ing Glo­ry, with your at­tack and low-end con­tent di­aled back in — magic in front of a Kem­per, Quad Cor­tex, UAD, or He­lix. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eBass play­ers: the orig­i­nal Morn­ing Glo­ry rolls off low end just like a fi­nal mix. That's why you love it — that's why it's be­come a stan­dard on so many pro bassists' boards. The clean blend di­als that low end back on com­mand for your dif­fer­ent bass and ampli­fi­er needs. This might be the best bass over­drive we've ever made. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eWho this isn't for.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThis ped­al isn't for every­one and we're con­fi­dent in say­ing that. If you want the dopamine hit of a wild new sound, look else­where. If you want tons of con­trols, tweaka­bil­i­ty, bells and whis­tles — this is not that. This ped­al does less while giv­ing you more. No bad sounds. Im­me­dia­te gra­ti­fi­ca­tion. Leave it on and for­get it's there. \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eCON­TROLS \u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eVol­ume — Adjusts the overall volume in conjunction with the drive and clean.   \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eClean — Full left: orig­i­nal Morn­ing Glo­ry. Full right: pure clean sig­nal. Start with Clean and Drive maxed, dial Clean back (counter clockwise) un­til you find your perfect bal­ance. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eDrive — Sat­u­ra­tion. Crank it and use the Clean con­trol as your bal­ance. This ped­al is de­signed to be used this way. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eTone — Clas­sic Morn­ing Glo­ry tone stack. Af­fects only the drive path. Back for warmth, for­ward for clar­i­ty. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eClean Boost Pro Tip – Morning Glory Clean can be used as a stand-alone clean boost.  Set the Clean to 100% (fully clockwise) and  increase the Drive.  In this configuration, the Drive will not produce any overdrive clipping - only clean volume boosting. \u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003eSPEC­I­FI­CA­TIONS\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003e- ±9V Dual Sup­ply (mas­sive head­room) \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e- Top-mount­ed jacks \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e- 9V DC Cen­ter Neg­a­tive\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e- Silent Buffered Bypass Switching\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 60mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48320947355803,"sku":"JHS-JHS-MGCLEAN","price":256.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/e194ab72-3500-48e1-a550-0843248c17d2.png?v=1776168065"},{"product_id":"jhs-colour-box-v2-preamp-eq-overdrive-distortion-fuzz-di-box-pedal","title":"Colour Box V2 Preamp \/ Eq \/ Overdrive \/ Distortion \/ Fuzz \/ Di Box Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003ecolOur box v2\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003epreamp \/ eq \/ overdrive \/ distortion \/ fuzz \/ di box\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of \"direct-in\" electric guitar recordings that I loved. ?Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo bus's, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! ?This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, to War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. - Josh Scott\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eversion 2 emerges\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.?\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAddition of an Output transformer\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eSafely Passes 48v Phantom Power\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003efeatures \u0026amp; controls\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe Step control increases the gain of each preamp stage in five\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48322342060187,"sku":"JHS-JHS-COLOURBOXV2","price":629.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Colour_Box_V2.png_2nd.png?v=1778008831"},{"product_id":"jhs-haunting-mids-preamp-eq-pedal","title":"Haunting Mids Preamp \/ Eq Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eHaunting mids\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003epreamp \/ eq\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher's knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don't stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids?EQ?Preamp that can turn any amp or pedal into a ghastly monster. ?With it's ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003econtrols \u0026amp; features\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies.?When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. ?Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies.?The Sweep knob controls what frequencies will be affected. ?Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. ?The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you're affecting with the Mids knob. ?\"Lo\" is a softer and wider peak for slightly subtler effect as you tweak the Mids\/Sweep knobs. ?\"Hi\" is a sharper and steeper peak giving you a very pointed and defined?effect as you tweak the Mids\/Sweep knobs.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an?overly mid-heavy amp or pedal rig. ?The Haunting Mids is not an overdrive pedal, it's a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Simple yet effective?tool to boost\/cut the perfect amount of midrange frequencies.\u003cbr\u003e - Sweepable midrange frequency to find the perfect EQ to slice through any mix.\u003cbr\u003e - Turn any amp or pedal into a totally different ghastly monster.\u003cbr\u003e - Don't forget the Volume BOOOOOOst.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids!\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eSPECS\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Will boost +10dB with EQ flat\u003cbr\u003e - Total Harmonic Distortion 0.007%\u003cbr\u003e - Signal to noise ration 83dB\u003cbr\u003e - +\/- 15dB boost or cut\u003cbr\u003e - Sweepable center frequency from 400Hz to 7.5kHz\u003cbr\u003e - Switchable Q (LO-gentle broad, HI-peaking tight)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48322961375387,"sku":"JHS-JHS-HAUNTINGMIDS","price":215.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Haunting.png_2nd.png?v=1778008854"},{"product_id":"jhs-bonsai-overdrive-pedal","title":"Bonsai Overdrive Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eBonsai\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eOverdrive\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eLets take a look at the 9 modes of the Bonsai based on the 9 pedals we have chosen...\u003c\/h2\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eOD-1 - 1977\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTS-808 - 1979 \u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTS-9 - 1982\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eMSL, Power or L Series - 1985\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThough metal is in the name, this sound doesn't quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTS-10 - 1986\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late '80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eExar OD-1 1989\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eTS-7 (+mode) - 1999\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThe hot mode on this version\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48323063611547,"sku":"JHS-JHS-BONSAI","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Bonsai.png_2nd.png?v=1778008795"},{"product_id":"jhs-mute-switch-utility-pedal","title":"Mute Switch Utility Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch1 style=\"white-space:pre-wrap;\"\u003eMute Switch\u003c\/h1\u003e\n\u003ch2 style=\"white-space:pre-wrap;\"\u003eUtility\u003c\/h2\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eWith a name like the JHS Pedals Mute Switch, it doesn't take a rocket surgeon to guess what this little guy does. But in case you're still curious, it's a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We'd love to go on about this valuable tool...but we've pretty much covered it.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eIt turns your signal on and off\u003c\/h3\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eThis Mute Switch mutes your sound. It's that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\" style=\"white-space:pre-wrap;\"\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Easy-to-use latching design\u003cbr\u003e- Enjoy absolute silence from everything before it in the chain\u003cbr\u003e- Works great on pedalboards and in effects loops\u003cbr\u003e- LED indicator changes from blue to red to show if the mute is engaged\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space:pre-wrap;\"\u003e \u003c\/p\u003e\n\u003ch3 style=\"white-space:pre-wrap;\"\u003eThis pedal is passive but requires standard 9V DC Negative for the LED to function and it measures 3.6\"x1.5\"x1\"\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48323333292187,"sku":"JHS-JHS-MUTESWITCH","price":89.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs-pedals-Mute_Switch.png_2nd.png?v=1778008907"},{"product_id":"jhs-kilt-10th-anniversary-overdrive-fuzz-distortion-pedal","title":"Kilt 10th Anniversary Overdrive \/ Fuzz \/ Distortion Pedal","description":"\u003cdiv class=\"sqs-block-content\"\u003e\r\n\u003ch1 style=\"white-space: pre-wrap;\"\u003eKILT10\u003c\/h1\u003e\r\n\u003ch2 dir=\"ltr\"\u003e\u003cstrong\u003eHE KILT 10 - CELEBRATING A DECADE\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003cp dir=\"ltr\"\u003eAfter ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before.\u003c\/p\u003e\r\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHERE IT BEGAN\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp dir=\"ltr\"\u003eIn 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs across the globe. From that request, the Kilt was born, and ever since, it has been one of our best-selling overdrive\/distortion pedals year after year.\u003c\/p\u003e\r\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE EVOLUTION OF OVERDRIVE\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp dir=\"ltr\"\u003eThe original Kilt carved out its own space in a crowded field by focusing on clarity, versatility and musical responsiveness. But over the years, we kept hearing the same requests: more headroom for cleaner tones, more audible effect from the flat\/cut toggle, and more control over the low-gain textures. The Kilt 10 addresses every one of these requests while maintaining the DNA that made you fall in love with the Kilt in the first place. It's what you love but better.\u003c\/p\u003e\r\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S NEW FOR 2025\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp dir=\"ltr\"\u003eAn Updated Look – The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years.   \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImproved Gain Control\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones — just smooth, musical breakup from whisper-quiet to full saturation.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEnhanced High-End Clarity\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e We've refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eIncreased Volume Headroom\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRefined Toggle Switches\u003c\/strong\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software).\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDiode Choice Enhancement\u003c\/strong\u003e\u003cstrong\u003e: \u003c\/strong\u003eA new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Think Kilt V2 but bigger. From the first chord you play, you will love how it feels. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\r\n\u003cp dir=\"ltr\"\u003eThe beauty of the Kilt 10  is that it functions exactly like the Kilt V2. With G1 down and G2 up, it acts like a higher gain stage boost—perfect for pushing your amp's front end or stacking with fuzz. Flip both toggles up and you get that massive wall of saturated British overdrive that made the original famous. The improved gain sweep means you can dial in everything from edge-of-breakup rhythm tones to singing lead saturation to all out gated spitting fuzz.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe enhanced headroom and clarity make this version particularly suited for complex chord work and intricate picking patterns that would get lost in lesser overdrives.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eAnd don't forget—the Kilt comes equipped with proprietary JHS Red Remote circuitry that allows you to switch the gain toggle on-the-fly for instant changes between overdrive and distortion, or distortion and fuzz!\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eVOLUME - Controls the output volume. Left is less, right is more.. More headroom means you no longer have to turn your volume up past noon and you have more ability to use as a boost. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eGAIN - Controls the amount of drive or distortion. Left is less, right is more. Never before has the first 25% of the gain range been so usable. You will find transparent overdrive textures that were never before possible as well as the familiar and much loved gating fuzz abilities that the last 25% of the range offers. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eTONE - Controls the amount of brightness. Left is darker, right is brighter. High-frequency control with enhanced clarity and improved amp compatibility. \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eG1 \/ G2 TOGGLEs - These toggles work together to give you up to 4 different resistance clipping options. Both toggles down is the lowest gain setting. G1 up gives you more overdrive. G2 up gives you more fuzz. Both toggles up gives you the heaviest gated fuzz the Kilt offers! The G2 toggle can also be engaged by a Red Remote.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eLOW-CUT TOGGLE - The down position is flat EQ, while the up position is the “cut” mode with less bass. In “cut” mode lows are reduced  for an overall tone that cuts through the mix like never before. \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eINPUT - Lower jack on the right side of the pedal.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eOUTPUT - Jack on the left side of the pedal.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eRED REMOTE - Upper jack on the right side of the pedal with a red washer.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eThe Kilt 10 isn't about reinventing the wheel — it's about perfecting it. We've taken a decade of player feedback, countless hours of refinement, and distilled it into what we believe is the most complete version of this classic circuit we've ever made.\u003c\/p\u003e\r\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\r\n\u003cp dir=\"ltr\"\u003eKilt V1 = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003cbr\u003eand four toggles.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eKilt V2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003eKilt 10 = 10 Year Anniversary Special Edition Mod released in 2025. Polished aluminum finish with Expandora-style knobs. Updated Scottish flag-inspired icon \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\r\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 64mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48323379429531,"sku":"JHS-JHS-KILT10","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/229181b6-e737-44dd-83a0-7ea85386625b.png?v=1776186991"},{"product_id":"jhs-pedals-packrat-multi-overdrive-fuzz-distortion-pedal","title":"Packrat Multi Mode Rat Style Distortion Overdrive Fuzz Pedal","description":"\u003ch1\u003eJHS Packrat Multi Mode Distortion Overdrive Fuzz Pedal\u003c\/h1\u003e\r\n\u003cp\u003eIn 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the then mainstream throes of MXR, DOD and even BOSS’s product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history. \u003c\/p\u003e\r\n\u003cp\u003eThe PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Schofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. \u003c\/p\u003e\r\n\u003cp\u003eBuilding on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000.\u003c\/p\u003e\r\n\r\n\u003ch2\u003e\u003cstrong\u003eTHE PACKRAT MODES:\u003c\/strong\u003e\u003c\/h2\u003e\r\n\u003ch4\u003e\u003cem\u003eTHE WORDS RAT, WHITE FACE, TURBO, BRAT, YOU DIRTY RAT, IBANEZ, LANDGRAFF, AND WAVE CANNON MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS PACKRAT IS IN NO WAY AFFILIATED WITH OR ENDORSED BY PROCO, IBANEZ, OR LANDGRAFF.\u003c\/em\u003e\u003c\/h4\u003e\r\n\r\n\u003ch4\u003e\u003cstrong\u003e1. THE OG (1979-83)\u003c\/strong\u003e\u003c\/h4\u003e\r\n\u003cp\u003eThe OG mode is a perfect recreation of the first production RATs ever made. This era of roughly four years covers what is referred to historically as the V1 models. \u003c\/p\u003e\r\n\u003cp\u003eEarly V1s are also known as the Fringe Logo model and can be identified by the letters R-A-T being in all capital letters with a slight fringe graphic coming from the typeface. The V1 also has small silver capped knobs and a Tone knob instead of the more familiar and later produced V2 Filter control labeling. From a circuitry standpoint, the V1 and V2 Big Box models are practically identical except that the V1's Tone control increases treble as you turn clockwise while the V2's Filter control decreases treble in that direction. \u003c\/p\u003e\r\n\u003cp\u003eWhen switching to the OG mode, you are activating the exact circuitry of my 1979 V1 Fringe Logo model, including the accurate Tone control rotation and taper. \u003c\/p\u003e\r\n\u003cp\u003eLet me take a moment here to clarify: the V1 and V2 models are the \u003cem\u003eexact same circuit\u003c\/em\u003e, and simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit.\u003c\/p\u003e\r\n\u003cp\u003eI know that the super nerds are going to ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a V1, because it is almost identical other than having an input buffer as well as a couple of extra parts.\u003c\/p\u003e\r\n\r\n\u003ch4\u003e\u003cstrong\u003e2. WHITE FACE V3 (1984-1986)\u003c\/strong\u003e\u003c\/h4\u003e\r\n\u003cp\u003eIn 1984, the RAT transitioned into a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle; this model gained the “White Face” RAT nickname due to this aesthetic. In 1986, this same model had a logo change that simply inverted the white and black colors, resulting in the more familiar white rectangle outline and font on the black enclosure. \u003c\/p\u003e\r\n\u003cp\u003eThis “White Face” model has gained a reputation as one of the holy grail RATs, and it even spawned a reissue in the nineties. The irony is that it is the same exact circuit as the previous Big Box V2 and the following “Black Face” 1986, as well as the 1989 RAT2. The “Wh\u003c\/p\u003e","brand":"Jhs Pedals","offers":[{"title":"Default Title","offer_id":48323739615387,"sku":"JHS-JHS-PACKRAT","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0738\/0405\/4683\/files\/jhs_pedals_packrat_right_side_2nd.png?v=1778009007"}],"url":"https:\/\/www.musoscorner.com.au\/collections\/jhs-pedals.oembed?page=2","provider":"Musos Corner","version":"1.0","type":"link"}